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STARS...
Sean Connery, Peter Boyle, Frances Sternhagen, Steven Berkoff, and James
B. Sikking.
PLOT SUMMARY...
The new marshal at a space mining operation discovers the workers
are taking deadly drugs to improve their productivity.
QUICK SCAN...
This film could be compared to "High Noon". Sean Connery
delivers a commanding performance as the space marshal. Production
Designer, Philip Harrison (Blade Runner), and Art Director, Malcom
Middleton, deliver a fascinating mining camp environment.

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Review:
Writer/Director Peter Hyam's OUTLAND is a believable, no nonsense
look at life at a space mining camp.
OUTLAND takes place on Io, Jupiter's third moon. Sean Connery, ("Time
Bandits"), is the new marshal, who's only been on the assignment
for two weeks. When two mine workers commit suicide, and a third goes
violently crazy, Connery investigates, discovering corruption at the
highest levels of the mining administration.
Sean Connery, with a closely trimmed beard and short hair toupee,
looks totally at home as a career marshal whose big mouth has landed
him this crappy job on Jupiter's moon. He brings great believability
to lines like, "There's a whole machine that works because everybody
does what they're supposed to. I found out I was supposed to be something
I didn't like."
Peter Boyle, ("Young Frankenstein"), is a perfect antagonist
for Connery. Plump, where Connery is lean, and corrupt, where Connery
is rigid and by the book, Boyle, who spends most of his time golfing
against projected backgrounds, seems the perfect embodiment of the
corrupt establishment, determined to maintain the status quo at all
costs.
Frances Sternhagen, ("Doc Hollywood"), offers fine support
as Dr. Lazarus, the mining camp medico. She's a crusty type, kind
of like Dr. McCoy of Star Trek, but with breasts. Her brusque exchanges
with Connery bring to mind Hepburn and Bogart in "The African
Queen". When Connery asks her why she hasn't brought a certain
important report to his office, she snaps, "I don't make house
calls." Connery shoots back, "You do now!" Naturally,
these two end up respecting and liking each other.
Production Designer, Philip Harrison, ("Blade Runner"),
and Art Director, Malcom Middleton ,have created a fascinating mining
camp environment. Multi-story, with low ceilings and "2001"-like
octagonal hallways, the mining camp living/working quarters are both
claustrophobic and highly realistic. Director of Photography, Stephen
Goldblatt, makes great use of this well thought out environment, delivering
consistently interesting visuals.
The film offers impressive shots of the huge mining base on Io, with
Jupiter looming huge in the sky. The Special Effects are by John Stears,
with Special Optical Effects, Supervised by Roy Field. Martin Bower
and Bill Pearson were Supervising Model Makers.
My favorite scene takes place after Connery's wife and child have
left him. Lonely, and in need of human contact, Connery replays his
wife's videotaped goodbye message.
The Music, by Jerry Goldsmith, is dramatic, bold, and ominous. It
provides just the right accent to the film's stark visuals.
OUTLAND should be highly watchable for most Sci-Fi viewers. Fans of
Sean Connery will be jazzed. OUTLAND is OUTstanding!
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